Nigerian Born uber talented designer Ngozi Pere-Okorotie, is the creative head behind Zed Eye. The London College of Fashion graduate, who takes inspiration from fashion goddess Vivienne Westwood, hails from the Igbo tribe in Nigeria, currently residing in Earls Court, London. It appears the inevitable for such a fashionably talented woman to end up in the fashion capital; Ngozi originally studied to become an accountant.
Her passion for designing beautiful garments stems from sweet childhood memories of her mother’s fashion academy, which means Ngozi was constantly surrounded by clothes, and encapsulated into the world of fashion long before she embarked on her successful career as a fashion designer. One life-changing moment that stands out to her is learning how to use a measuring tape at the tender age of six.
Famed for her stand out piece; the three quarter sleeve floral print summer jacket, which has already rouged the wardrobes of top celebrities including Kelis, Shingai (The Noisettes), celebrity hairdresser Tara Smith and renowned British designer Henry Holland, Ngozi sang high praise for her spring/summer 2010 collection. “I love the three quarter sleeve floral print summer jacket so much and it has been the best buy within the Tribal Romance spring/summer 2010 collection and also a hit with several celebrities.”
Ngozi’s editorial in Pride Magazine – a publication celebrating women of colour (Gossip Girls – June 2010) displays her level of creative ambition, as she gave African prints a high-fashion twist with vintage English styling. Her passion for using heavy, tribal prints to create juxtaposed and alternative fashion themes speaks volumes about the evolution of fashion from the mainstream, alongside the fact that this talented designer is set for catwalk success.
For the past seven years, HauTeFashionAfrica.com has stayed the foremost African Fashion Website, exhibiting a taste for the cultural tempered with an appreciation of the varied degrees of influence by the west in today’s fashion.
Well, it’s no news that African Fashion has been received extremely well locally and globally, but that makes us think, what is next after the promotion? How better can we communicate and assist the progress of African Fashion as we have done in the past?
We have our ideas, which we are looking forward to implementing, but…
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